In a 2016 article, he reviewed the genres best given to Spanish developers, taking as reference the average rating imposed by the national and international press for each game. This…

Today I sat down at the computer to digress a bit about Dystopicon. I don’t want to call it a new format (because it isn’t), but it’s something I’d like…

The debate between physical and digital format is a recurring theme in the gaming community. A sector, certainly those born before the consolidation of the Internet, loves to have its…

This article was originally published in English in Gamasutra. It was translated by the author himself for exclusive publication on DeVuego. Hi! I’m Damian Sanchez, the composer of Temtem, and…

Last weekend was NiceOne Barcelona, ​​a video game fair where the city hosted a series of experiences, conferences, eSports competitions and even booths. However, if we traveled from DeVuego to…

The year is coming to an end and the compilation articles are growing like mushrooms in the forest. What if the best games of the year, what if the worst,…

We continue our review of 2019 in terms of Spanish video game production. Last week we covered the first four months of the year in an article that went from…

It’s time to wrap up our in-depth recap of what the national video game has been up to in 2019 (parts one and two here). The last quarter has been…

I first saw SVC Games’ Debris Infinity at Fun & Serious in 2017. At the back of several tables with various stands with indie projects, there was a monitor with…

Since DeVuego was born in 2013, it has always been a charitable project by definition. However, its steady growth over these years has made its upkeep an important factor, at…